There was also a similarly adventurous and aesthetically mixed reinterpretation of the song by the new wave group the Mo-Dettes in the early '80s. Burdon surely was enamored of the song, as he did it yet again with War in the 1970s. Eric Burdon & the Animals did a noted, if not particularly brilliant, rearrangement of "Paint It Black," heard in the Monterey Pop concert film, utilizing a drawn-out, almost avant-garde violin figure. Also dig how the Stones ride out the fade with creepy background vocals humming the main riff as Jagger becomes particularly excitable, starting to sing-shout the lyrics and announcing that he wants to not just paint everything black, but see the sun blotted out from the sky - surely one of the most despairing images in popular music. This has the double purpose of increasing the tension of the lyric and varying the mood of the song - a mood that, as pop/rock songs go, must rate among the most mordant in all of rock. Watts then kicks into a dynamite hard rock drum pattern to get the tempo going again right after Jagger bemoans how he couldn't imagine this tragedy happening to his lover. It's also a cool touch to have the stiff drumbeat briefly replaced by tambourine rattles at the beginning of the last verse, as Jagger lingers on an especially sorrowful line. The drums return to a standard hard rock rhythm in the explosive chorus, which has subtle melodic shifts of minor keys that serve as evidence of Jagger and Richards' underestimated skill at creating compelling pop hooks, in the mid-'60s at any rate. That rhythm survives into the final track, serving as an effective counterpoint to Jagger's moodily intoned lyric about, apparently, a dead girlfriend. When Bill Wyman began fooling around on the organ during the session doing a parody of their middle-aged original co-manager Eric Easton (who had been an organist), Charlie Watts joined in the fun and laid down an urgent double-time drum pattern, echoing the rhythm heard in some Middle Eastern dances. It was later reported, in fact, that "Paint It Black" had begun life in a much slower, conventional funky soul vein. The exotic twang was a perfect match for the dark, mysterious Eastern-Indian melody, which sounded a little like a soundtrack to an Indian movie hijacked into hyperdrive. The principal riff of "Paint It Black" (almost all classic Rolling Stones songs are highlighted by a killer riff) was played on a sitar by Brian Jones and qualifies as perhaps the most effective use of the Indian instrument in a rock song. ![]() It also entirely broke free of the blues and R&B influences that had colored their 1965 smashes like "(I Can't Get No) Satisfaction" and "Get off of My Cloud." That in turn proved that Mick Jagger and Keith Richards were versatile, growing writers who could compete head-to-head with the best rock composers of the era, such as their chief rivals, the Beatles, of course. In 2012, the band celebrated its 50th anniversary."Paint It Black" was one of the greatest Rolling Stones singles, reaching number one on both sides of the Atlantic in mid-1966. In 2008, the band ranked 10th on the Billboard Hot 100 All-Time Top Artists chart. Sticky Fingers (1971) was the first of eight consecutive No. Let It Bleed (1969) marked the first of five consecutive No. They have released 30 studio albums, 23 live albums and numerous compilations. Rolling Stone magazine ranked them fourth on the "100 Greatest Artists of All Time" list and their estimated record sales are above 250 million. The Rolling Stones were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. ![]() Their musical focus shifted from covering blues songs to writing original material, a decision with which Jones did not agree. The band's primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Brian Jones was the original leader of the group. ![]() Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jointly credited to the songwriting partnership of Mick Jagger and Keith Richards, it was first released as a single on, and later included as the opening track to the US version of their 1966 album Aftermath. The first stable line-up consisted of Brian Jones (guitar, harmonica), Mick Jagger (lead vocals), Keith Richards (guitar, backing vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). About Paint It Black 'Paint It Black' (originally released as 'Paint It, Black') is a song by the English rock band the Rolling Stones. The Rolling Stones are an English rock band formed in London, England, in 1962.
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